|Manos: The Hands of Fate|
|"Oh, don't get up, Torgo!" - Bill Corbett|
|Riffers||Mike Nelson, Kevin Murphy, Bill Corbett|
|Date Released||August 16, 2012 (Live) and September 11, 2015 (Studio)|
Manos: The Hands of Fate is a 1966 American horror film written, directed, produced by, and starring Harold P. Warren. It is widely recognized to be one of the worst films ever made. In 1993, the television comedy series Mystery Science Theater 3000, helping the film develop a cult status.
Synopsis and PreviewEdit
While on a road trip near El Paso, Texas, Michael, Margaret, their young daughter Debbie, and their dog, Peppy, search for the "Valley Lodge." Michael and his family finally reach a house which is tended by the bizarre, satyr-like Torgo, who takes care of the house "while the Master is away." Michael and Margaret ask Torgo for directions to Valley Lodge; Torgo simply replies that there is no place like that around here. With this information, Michael asks Torgo to let him and his family stay the night, despite objections from both Torgo and Margaret.
Inside the home, the family sees a disturbing painting of a dark, malevolent-looking man and a black dog with glowing eyes; the man it depicts is the Master. Margaret becomes frightened upon hearing an ominous howl; Michael investigates, retrieving a flashlight and revolver from his car, and later finds Peppy lying dead on the ground. Torgo reveals his attraction to Margaret and tells her that, although she is doomed to become yet another bride of The Master, he intends to keep her for himself. Margaret threatens to tell Michael of Torgo's advances, but Torgo convinces her not to say anything to her husband by promising to protect her. Michael returns, unable to start the car. With the revelation that there is no phone in the house, the family reluctantly decides to stay the night.
Michael and Margaret stumble upon "The Master" and several women dressed in translucent nightgowns and later revealed to be his wives. They are all asleep. Torgo ties Michael to a pole and The Master suddenly comes to life. His wives also awake, and a short argument over the fate of the family ensues. The Master decides he must sacrifice Torgo and his first wife to the film's mysterious deity and namesake, "Manos." When The Master leaves, his wives engage in further argument that soon degenerates into a fight, and the women wrestle in the sand.
Torgo succumbs to what appears to be a hypnotic spell by The Master. The Master stops the fight, and has his first wife tied to a pole to be sacrificed. Torgo is laid on a stone bed, where he is attacked by The Master's other wives, but this in itself does not prove fatal. Evoking some mysterious power, The Master severs and horribly burns Torgo's left hand. Torgo runs off into the darkness, waving the burning stump that remains. The Master laughs maniacally and goes to look for the family and subsequently sacrifices his first wife.
The family run off into the desert. When a rattlesnake appears in front of them, Michael shoots it, attracting the attention of nearby police. Margaret and Michael are later convinced to return to the Master's house, where the Master welcomes them. Michael fires several shots into The Master's face at point-blank range, but they have no effect. The screen fades to black, likely indicating that The Master has again applied his hypnotic power.
An undisclosed amount of time later, an entranced Michael greets two new lost travelers. Margaret and Debbie have become wives of The Master. The film concludes with Michael echoing Torgo's line of "I take care of the place while the Master is away." The production credits are superimposed over past scenes from the film with the words: "The End?"
Cast and CrewEdit
- Harold P. Warren as Michael
- Diane Mahree as Margaret
- Jackie Neyman as Debbie
- John Reynolds as Torgo
- Tom Neyman as The Master
- This was the first MST3K movie to be re-riffed by RiffTrax. Several others have been since.
- This was the first of two 2012 live shows, the second being Birdemic.
- In his 2014 RiffWiki Interview, Matthew J. Elliott named this riff as one of his "picks."
- House on Haunted Hill
- Jack the Giant Killer
- The Room
- The Guy From Harlem
- Birdemic: Shock and Terror
- Santa and the Ice Cream Bunny